Tuesday, June 28, 2016

Embracing Outsiderdome

I've been doing yoga regularly for a very long time.

All sorts. I'm pretty non-discriminatory at this point in my life.

When I got back to Philadelphia after Christmas Break at the end of December I was having a very difficult time re-adjusting after having spent ten days with many of my favorite humans and my family. Never mind that there was nothing to do until the fourth week of January. So I signed up for a yoga studio special. The first money I had spent on myself in Philadelphia that did not relate to sustenance or something that was school required. 

The studio is a three minute walk from my apartment. It's a version of hotish yoga, which wasn't my first choice, but it was so close and it was Winter, after all. My first few classes there were great. I love being a student in a yoga studio. I loved being somewhere anonymously again. Sneak in, sweat, sneak out. I quietly mumble hellos and goodbyes and give a small nod and briefest of eye contact as I'm scooting out the door. Part of something bigger than yourself, while still able to hide behind the masses. No one knows my name. I don't know anyone. I just leave my troubles in a puddle on the floor in the studio.
                        

I went for all forty days of my intro package. More than a few times I went twice in a day. 

I love yoga, but I'm so much more apt to practice with a class. Structure.

Toward the end of my package deal, an announcement was made after class that they were still looking for people to help with their Energy Exchange program, which means if you work three sessions a week, helping the instructor check students in, tidying up after class and making a commitment to the community, you were given free access to all classes at the studio. It was perfect, and the only way I'd probably be able to continue practicing. And it meant giving up something I had become so comfortable in: anonymity. 

I volunteered and started almost immediately. The processing of students and regular tidying around the studio is easy enough. If, like me, you've worked a zillion costumer service and retail jobs, all the steps are pretty much the same, just with different intentions and a different computer system. I arrive at class a half hour prior to practice and stay about a half hour later. I check people in and answer any questions they might have. I encourage and congratulate them if it's their first time. 

It started to sink in slowly, then once school started back up and I was regularly running around hardwood floors with a band of crazy weirdos, it really started to hit me. I don't belong there. I think I noticed it for the first time when one of my fellow "Energy Exchange-ers" said, 

"Let's get a picture of all of us in a row doing headstand!" 

"Sure!" I replied.

I don't really have headstand. I mean, I have MY headstand. Yoga's a practice after all. But it was about community. It was about sharing with people.

She later posted the picture to Facebook and it struck me hard and fast. Second in from the left, like a slightly dangerous adolescent turkey in a flock of graceful and still flamingos was a very physically honest me. One leg half raised and blurry, the other bent and resting in my hip socket. My generous hips and thighs taking the space and drawing attention to themselves by a ridiculously bold henna print neon teal and pink yoga pant.
        

Good God I don't belong there. It was so clear  in that moment. Among these graceful women whose arms were lean and ate quinoa and kale and sipped wine on patios. Who were either already taking teacher training or being courted by the studio owners to do so regularly. Me and my home-made hair cut and thrift-shopped yoga clothes and a mat my sister had gifted to me ten years ago. Me in my 450 square foot apartment in the same neighborhood as the studio. Me an my sweat the second I walked into the lobby. Me and my beer. Me and my chipped teeth. Me and my movement-based theatre program. Me and my shame shame SHAME.

I continued to feel this way. I was relating to my partner how uncomfortable I was with how much I felt like I didn't belong. How I felt like I could never be a part of this community. How I wondered if it was a Philadelphia thing or a me thing. Without missing a beat he said, "I don't understand why you're not embracing being an outsider. That's what I've always seen you do."

Oops. 

So here I am. No longer sneaking out of the studio. No longer making eye contact for as little time as possible with the fancy lululemon-wearing, artist warehouse-living, hairs done every 6-8 weeks clientele. Now it's a big giant smile, my best shot at remembering their names (forever a curse. Face blindness is real.) and still working on unfurling that headstand (and handstand).
                    
       
That makes it sound really easy. It's not. I'm nervous to smile at these people. I'm nervous every they'll see how I'm sweating before I even walk into the studio because I rode my bike there. I'm nervous they'll see me sweating because I'm nervous. I'm nervous I don't belong and no amount of being a novelty weird theatre grad student is going to help that. Really, I'm nervous every they don't want me there, because I want to be there. But it's not our samenesses that make us interesting as humans. The exciting part of most humans is what makes us weirdos.

I'm a weirdo in most social settings. It only really stands out to me when I've been around performers for a long time and then I'm thrown into a more "average" social setting, which is very much what the yoga studio is. I still feel shame- more on that next week, but I mostly feel lucky that I get to see these people as they are and I'm getting better at letting them see me for who I am. I'm not ashamed to be here studying devised theatre, even if no one knows what that means. I'm immensely proud. It took a shit ton of work to get here, and I will weirdo all over the place to celebrate.

Sunday, June 26, 2016

Reasons My Co-Worker Is Apologizing

I think most people are familiar with Chronic Apology Syndrome.

Okay. It's not a real thing but it's totally a real thing. I'm sure most people know someone who apologizes constantly. Often not because they're doing lots of things wrong, just because it's how they communicate.

I'm guilty of this. I've been working on it over the last decade. I've started calling out my friends on their consistent apologies. Being sorry is necessary. No one's perfect, we all mess things up. I feel pretty strongly that if we apologize for things that aren't actual offenses, for example: Sharing an idea that isn't favorably received immediately. This not only teaches people around us that we have so many things to apologize for (like existing, having ideas, being a human) but it also compromised the integrity of our apology. So when you really fuck up and say you're sorry, what is it worth, if it's every other word out of your mouth anyway.

I recently started my new job selling rich people overpriced coffee and cold press juices and other hipster-related life style swag. I don't know the people I work with particularly well yet, but one young woman who started around the same time that I did says she's sorry so much I'm surprised she's at accepting of  any thing she does.

I feel inclined to point out at this moment that I do not think this is an inherently female conundrum. One of my favorite (male) collaborators had a nasty habit of apologizing so much that a superior once banned him from using the word. He now says "I apologize" so frequently it's almost eye-roll worthy.

So, without further ado, I present to you:

Reasons My Co-Worker is Apologizing

She asked me to hand her a milk to re-stock the cold case (this is part of my job)

She walked past me

She asked me a what time I worked tomorrow

We sent her home because it was dead, then it got busy after she left. She apologized profusely the next day.

She was refilling the water pitcher and I walked past her.

She set up the entire patio before I had a chance to help her.

She rolled all of the silverware.

She said something quietly.

She had to get past me behind the counter (where it's very narrow) so she stood there quietly until I looked at her because I thought she had a question.

She walked into work (on time).


I don't know her well enough to really bring this up to her yet. I have a feeling if I did she would apologize profusely.

Saturday, June 18, 2016

Ownership: It's Mine

Summer. I'm in it, people. Like, seven weeks or something. I don't even know. It's getting weird. Here's some things I've noticed over the last seven + weeks:

I live in Philadelphia. Wait. What?
It's hot and often very muggy here. 
I don't have classes eight hours a day to distract me from
I frequently don't finish thoughts.
My time is easily occupied and totally don't feel guilty about watching seasons of anything on Netflix, HBOgo or Hulu.
The West Wing really holds up.
I totally feel guilty about binge watching seasons of anything, even if it's slightly intellectual.
I lie to myself about feeling guilty.
I hate elections, hatred and what burbles up through the mean (all?) parts of the internet because of them.
People at the local thrift store know me by name now.

I don't want to be over dramatic. I'm not going completely stir-crazy. I've adapted over the last few weeks. I'm on a regular schedule practicing piano at school. I strum around on the ukulele now and then. I contacted one of my instructors that I really enjoy working with and asked if her theatre company needs any help this Summer. It does, so I'm freelancing some research for her.

In my meeting with her she said she's draw up a contract for me (my work is voluntary) just so we both know what's expected of me, that way there's no miscommunication and we both have it in writing. A few days after that meeting, it struck me that everyone in the theatre (maybe even artistic) community should do this. I've been a part of countless processes where rifts were formed simply due to someone not fully understanding what their job was. Not due to any fault of their own, just because they had never done it before, or it wasn't laid out for them. Then I recalled a process where we were under contract for a very small stipend, but I was SO relieved that it was in writing and I signed a piece of paper saying "this is what I'm going to do and this is how I expect you to treat me".

Contracts, guys, or Letters of Agreement, whatever you care to call them, are pretty great. 

                         
                             I bet someone was contracted for this.          Sorry. I just needed a 
                                                       Reason to use this photo...

I think they're so great that I took some of my Summer vacation time to write one for myself.

I was considering my goals for the Summer and they were all things like, "learn how to play piano" or "play a lot of ukulele" or "Write more". All worthy, to be sure, but none of them specific. 

So I wrote my first contract as a self-employed artist. For myself. To sign and complete.

You know me: Party. Animal. (Now complete with contract!)

Most responsibilities are weekly. It's not a small amount of work, but nearly all of it are things I'm doing anyway, just sporadically and in a disorganized manner.

No more, my friends. I present to you: My signed contract for being a Human Who Makes Things. This will also mark the first time I've actually attached my name to this blog. Taking ownership all over the place here people.

Contract for Human Who Makes Things

Contract Duration: June 20th, 2016- August 29th 2016

Job Title: Self-Contracted Artist

Job Duties:

Rehearse piano 3 hours weekly
Rehearse Ukulele 2 hours weekly
Read required reading 1 hour weekly
Read for pleasure 1 hour weekly
One blog post weekly
Swim Pony research: 7-10 hours weekly
One postcard or letter weekly
Physical activity excluding bicycle commutes: 4 times weekly lasting 30 minutes or more.
Make one thing outside of "regular craft" each week: 2 hours
This can include, but is not limited to: Dance, songwriting, painting, drawing, acrobatic sequencing, comedy, construction paper collages, model-building, carpentry, clowning, origami, etc.
One movie weekly
Knit 1 hour weekly
Share one work-in-progress with one or more persons each month, beginning no later than June 30, 2016.

Compensation: Self high-fives, spontaneous dance parties, artistic growth and satisfaction, staying out of stupid trouble while getting into all kinds of worthwhile trouble.

I, Sarah A. Gardner, fully understand and commit to completing the above tasks as stated to the best of my abilities. 
                                  
        
Oh yeah, I also wrote it by hand. Because. Summer. And you can't sign an iPad with pen.

So. One blog post a week. I suppose that takes a bit of the surprise out of regularly unscheduled contact. I'll try to make still as unexpected and strange as I am.

I'll end with a yummy Knit Preview: